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Blog / Best Art dissertation Topics and ideas in 2023
Best art dissertation topics and ideas in 2023.

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Are you facing a Problem Writing an Art Dissertation?
Are you unable to find good art dissertation topics.
Don’t panic! The ultimate solution is here! In order to write an A-level art dissertation we must have to go through some of the basic conceptual ideas that how it could be written and how can we make it a successful one.
Encrypting an unbeaten A-level art dissertation is about displaying your vision whilst indicating that you comprehend the key concepts of your study and that you are able to give an authentic product of your sheer academic knowledge and research. In any discipline of art, the mandatory knack that you are looking to display is proof of originality and creativity. Therefore, your art dissertations should fulfill the criteria of inspiration, ingenuity, and resourcefulness.
FORMS OF ART DISSERTATIONS
There are mainly two forms of art dissertation which are:
ART HISTORY DISSERTATION
An Art history dissertation is a representation of the work done on the evolution of art or an artist; because it is related to past experiences, therefore it should be focused and identical to the depth of knowledge of the topic with facts and figures. It is proposed that art history dissertations would be written with vast opinionated criteria.
FINE ARTS DISSERTATION
Usually, the topics in fine art dissertations are not prepared by any other person. A brilliant Fine Arts dissertation should be devoted to an exclusive topic, coming up with thoughts like that is not easy. So, start collecting ideas for your fine art dissertation far before you get down to work. Fine Arts dissertation topics can be focusing on different male or female artists or you may choose a fairytale-like ‘snow white and 7 dwarfs.’
Art Dissertation Topics
If you need to turn into a significant artist, your dissertation can make you stand apart from the rest. It ought to be something crisp through which you can represent your ability to lead a unique and independent study in the field of expressions. Your art dissertation topics, in this manner, assume a vital job in setting your way to progress.
It ought to have the option to mirror your thoughts and developments in your field of study, whether it is visual expressions, music , shows, works of art, structures, or expressive arts. The following are a few fantastic art dissertation topics that can help you in narrowing down your research scope and help you make your art dissertation successful.
Good Art Dissertation Topics
- The role of art in promoting cultural heritage
- The influence of popular culture on art
- The impact of digital media on art creation and distribution
- The role of art in promoting social change
- The impact of the feminist movement on art
- The representation of race and ethnicity in art
- The relationship between art and science
- The impact of environmentalism on art
- The history and evolution of street art
- The influence of the LGBTQ+ community on art
- The impact of postmodernism on art
- The relationship between art and religion
- The role of art in promoting peace and nonviolence
- The influence of the internet and digital technology on art
- The impact of colonialism on art
- The history and evolution of installation art
- The role of art in promoting mental health and well-being
- The representation of the human body in art
- The relationship between art and fashion
- The impact of the #MeToo movement on art
- The representation of animals in art
- The role of art in promoting gender equality
- The impact of the Black Lives Matter movement on art
- The relationship between art and technology
- The impact of the COVID-19 pandemic on art
- An exclusive idea regarding your topic showing your clear objective is the way towards initial success
- Set a timetable and obtain relevant material of research for art dissertations to pace up your writing objective
- Reflect on your research and encourage your creativity
- Ensure that you stick to the thread of your central argument
- Paragraphs should be approximately five or six sentences long and should have good linking words and phrases
- An art dissertation should be full of analysis, critical evaluation, and discussion of your subject
- Present a sustained academic argument in clear, logical prose and give evidence to support it
- Results and discussions should be presented in your written art dissertations
- The conclusion is a must property that proposes your views that what have you achieved from the whole study
- Proofreading is an essential part as you are finalizing your dissertation
- Art dissertations should be referenced clearly to avoid plagiarism
- At the End of your art dissertation, there needs to be a bibliography of the sources used
Click here to get an Art Dissertation Topics consultancy service along with 500 words topic brief to get approval from your supervisor.
Trending art dissertation topics.
- The role of social media in contemporary art
- The impact of technology on the art of the 21st century
- Street art and graffiti: A study of its evolution and cultural significance
- The representation of gender and sexuality in modern art
- The influence of political and social movements on art
- The relationship between art and architecture
- The impact of globalization on the art market
- The role of the artist in society
- The influence of Eastern art on Western contemporary art
- The history and evolution of performance art
- The change of images to pictures of Buddha in early Indian artistry
- The impression of Pop Art: The view and American septuagenarians
- The inheritance of craftsmanship charity: a contextual investigation of John Davan Sainsbury, Baron of Preston Candover.
- Balletic impact in the presentation of Jean Antoine Watteau’s figures
- Is the progress of computerized films influencing artistic craftsmanship unfavorably? Is it true that they are genuinely clearing out the joy of watching motion pictures?
- Could video games be viewed as artistic work?
- Neutralizations: Resisting and Embracing Globalization in Contemporary Public Art
- Delineations of Cute Young Women in Contemporary Japanese Visual Culture
- The Spiritual Couple in Art: A Comparative Study of Three Artworks Using Examples from India, Europe, and America
Custom Topics Brief Service
If you are still looking for Art dissertation topics please fill out the form below and get a 500-word topic brief on art dissertation.
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Dissertations on Arts
Art can be described as the expression of creativity, using emotion, imagination, and skill to produce a work of art. Art is a matter of opinion and preference, and can be understood or appreciated in different ways by different people.
View All Dissertation Examples

Latest Arts Dissertations
Including full dissertations, proposals, individual dissertation chapters, and study guides for students working on their undergraduate or masters dissertation.
Art vs Craft Debate in Education: Origins and Impact
Dissertation Examples
What are the origins of the art versus craft debate, how does it effect Art Education, and what might be the potential repercussions of its continuation?...
Last modified: 23rd Dec 2021
How Does the Human Body Translate in Modern Art in Today’s Contemporary World?
This thesis will examine the influence of the human body in today's contemporary world and has the body the same impact it once had in the arts....
Impressionist Sculptures of Auguste Rodin and Edgar Degas
The main aim of this dissertation is to discuss Rodin and Degas’ sculptural works, understanding the making of the selected pieces and the relationship they have with Impressionism....
Last modified: 22nd Dec 2021
Black and White Photography and Emotional Representation
The purpose of this paper is to examine and observe the emotional representation in black and white photography by analysing the means of a photograph itself, seeing the world in black and white and what makes the beauty of it, as well as the use of black and white photography in various fields to evoke the viewer’s emotion....
Influence of Technology on Artists and Art
This dissertation aims to examine how technology has changed and influenced artists and their artwork, in the past, present and future....
Last modified: 24th Nov 2021
How has oil-based portrait painting influenced portrait photography?
This dissertation presents a discussion based on the theme of portraiture and its relationship with mediums such oil-paint and photography....
Changing Nature of the Silhouette in 18th to 19th Century Art
This dissertation will explore the historical narrative behind the silhouette and discuss its development in line with class theorists....
Last modified: 17th Nov 2021
Origins of Visual Expression in Art
In this dissertation, I will research the origins of visual expression, firstly asking why was it made, and who was it made for? I will then be looking for the earliest examples of where visual expression was found....
Last modified: 3rd Nov 2021
Analysis of Joseph Cornell's Boxes
My dissertation explores the power of engagement exerted on the viewer by the boxed constructions of Joseph Cornell....
How Does Dance, Specifically Bharathanatyam Affect Brain Development?
The overall purpose of this project is to discern the relationship between dancing and the brain, in particular what impact Bharathanatyam has on brain structure and health....
Last modified: 27th Sep 2021
Russian Folk Dance: History and Relationship with Ballet
Dissertation Introductions
Introduction to a study aiming to understand the concept of Russian folk dance and the reason for conversion of this into Russian Ballet dance....
Last modified: 6th Sep 2021
Drama Dissertation Topics
Dissertation Topics
We have provided a selection of example drama dissertation topics to help and inspire you in your choice of dissertation topic....
Last modified: 17th Aug 2021
Art Dissertation Topics
We have provided a selection of example art dissertation topics below to help and inspire you when choosing a topic for your art dissertation....
Last modified: 16th Aug 2021
Art Dissertation Titles
Dissertation Titles
Art Dissertation Titles. We have provided this selection of example art dissertation titles to help and inspire you....
Literature Review on Teaching Visual Arts in the Digital Media Age
Example Literature Reviews
The purpose of this research study is to learn about the experiences of visual arts teachers in teaching creativity at the high school level....
Last modified: 28th May 2021
Teaching Art in the Age of Digital Media
The purpose of this study is to understand how high school visual arts educators teach visual arts in the age of digital media....
Follies and the History of the Garden
Contents Introduction Literature Review Methodology Chapters POLITICS & PALLADIANISM – Follies and the history of architecture SEX & SECRECY – Follies and the history of art and litera...
Last modified: 16th Dec 2019
Self-discovery and Community Empowerment of Self-identifying Artist, Researcher and Teacher
CHAPTER 1: INTRODUCTION What counts in art’s intensity is the artist’s dedication, passion, enthusiasm, ecstasies, and sweat. There is a devotional focus to what you are doing—an intensive conc...
Last modified: 13th Dec 2019
The Future of London's Museums
The following research paper investigates the present condition of London’s museums, focusing upon three aspects: their historical development, their present issues and debates, and their strategies...
Last modified: 11th Dec 2019
Irish Troubles Political Cartoons: An Analysis
The political cartoons about the Irish troubles drawn by a number of prominent cartoonists in the early 1970s differed sharply from the cartoons produced by artists during the peace process in the 199...
Nature, the Environment and their Uses in Art
“I name that man an artist who creates forms… I call that man a craftsman who reproduces forms.” Malraux is talking about artists and craftsmen, but might as well be talking about artists and de...
History of Artist Expression in Comic Books
Comic books, like many art forms, have been co-opted by a hungry consumer capitalist economy which makes a Faustian bargain with its artistic meals: give me your subversive art forms and ideas, this e...
Impact of Social and Sexual Changes on Art
Hair has traditionally been cited as a discernibly female expression of sexuality and beauty, an aesthetic composition that exacerbates a woman’s ability to attract members of the opposite sex w...
Natural History Museums and Artistic Interventions
Table of Contents Natural History Museums Charles Darwin Natural History Museums and artistic interventions Natural History Museum – London American Museum of Natural History The role of technology...
Last modified: 10th Dec 2019
How Do Leadership Skills Enhance Creativity Within the Arts to Motivate Excellence?
How do leadership skills enhance creativity within the Arts to motivate excellence? The arts are any field that requires the expression or application of human creative skill and imagination (Oxford ...
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10 Inspiring Fine Art Dissertation Ideas
There are three skills that you would want your paper to echo to make an impression on the readers. Firstly, being able to work artistically all by yourself without any sort of assistance must be reflected in the paper. The ability to perform intense research within the field is an important one that needs to come forth. Finally, the complete paper should be a display of your in depth understanding of the numerous issues associated with the topic.
10 Topic Ideas for Papers in Fine Art
The topic of a fine art paper must stand out. It might be a tough call to come up with an excellent fine art topic quickly. So, an easy and common trick that works always is to keep collecting fine art topic ideas that strike you long before you actually plan to start working on the paper. Enlisted below are 10 art dissertation ideas for assistance. The first idea has been elaborated for better understanding of how the ideas can be used.
- The Effect of Fairy tales on Artists. This topic idea can be used in different ways. You can prefer to concentrate exclusively on a single fairytale like “Cinderella”. Or, you can discuss the works of male and female artists in relation to fairytales.
- Exploring the part played by fine arts in the online world. What are the ways fine arts can be incorporated into website development?
- Sienese artists: Taddeo di Bartolo’s Representations of the Virgin Mary in his paintings.
- Is the transition to digital films affecting the cinematic art adversely? Are they really wiping out the pleasure of watching movies?
- The marked shift in ancient Indian art from symbols of Buddha to his images.
- Can motion capture acting be considered genuine acting? Should the motion capture actors have the privilege of getting awarded like the real actors?
- Aesthetic Movement and Pop Art: Throwing light on their likeness
- In the 21st century world of entertainment where does theatre stand?
- Can video games be considered a fine art?
- Are audio books impacting the manner in which people appreciate the written art?
Choose Topic based on Interest, knowledge and Resources
Glancing through the history of art dissertation topics you would come across innumerable ideas. Focusing on the areas of fine art that you find most interesting, have vast knowledge and enough resources to rely upon are the 3 things that can help you in selection your fine art thesis topic. For more useful resource, have a look at this site.
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Arts Dissertation Research Topics
Published by Carmen Troy at January 6th, 2023 , Revised On January 6, 2023
Introduction
Arts is an important academic subject. It has a range of subdisciplines including Economics , History , Political Science , Geography , Sociology , Philosophy , Psychology , Computer Science , Linguistics , Law , Journalism & Media and Tourism & Hotel Management . If you are looking for some exciting yet manageable arts dissertation topics then you definitely landed on the right page.
This blog post provides twenty arts dissertation topic examples so you can come up with an idea that will enable you to achieve a high academic grade in your arts dissertation project. These topics have been proposed by our expert art writers so you can be confident that they will make a great dissertation paper.
Without further ado, here are the top five arts dissertation topics.
Topic 1: Artificial Intelligence (AI) and Modern Art: An Exploratory Study to Find Advancements AI can Bring in Modern Art
Topic 2: what’s wrong with mona lisa a critical review of mona lisa’s painting from various artists’ lens, topic 3: performing arts and cultural development- a study to find the impact of performing arts on the youth cultural development in ancient germany, topic 4: the role of arts in the cultural invasion- a case of western culture penetrating in asian societies, topic 5: the influence of oil-based portrait painting on portrait photography.
You may also want to start your dissertation by requesting a brief research proposal from our writers on any of these topics, which includes an introduction to the topic, research question , aim and objectives , literature review along with the proposed methodology of research to be conducted. Let us know if you need any help in getting started.
Check our dissertation examples to get an idea of how to structure your dissertation .
Review the full list of dissertation topics for 2022 here.
2022 Arts Dissertation Research Topics
Research Aim: This research aims to find the impact of Artificial Intelligence (AI) on modern art advancements. It will show how AI-based models such as Machine Learning (ML) and Deep Learning models can help to create more dynamic visual arts? It will test these models against real artists to show whether they can create new art based on the previous data? Lastly, it will assess the current work in the area and improve existing models to create better art.
Research Aim: This study intends to critically evaluate Mona Lisa’s painting from various artists’ viewpoints. It will try to dig deep into the picture from the painters’ imagination to the colors used in the painting. Moreover, it will utilize arts literature to draw a framework to analyze Mona Lisa’s painting critically. It will show the greatness and uniqueness in the painting and its problems, which can be modified through ideas and tools used in modern art and literature.
Research Aim: This research analyzes the impact of performing arts on the youth cultural development in ancient Germany. It will show artists and various organizations intentionally and unintentionally used performing arts to affect the youth in old Germany. It will assess the effects of performing arts on multiple aspects of youth lifestyle in Ancient Germany. It will also explore the impact of performing arts on other elements of youth, such as their imagination, productivity, creativity, and critical thinking.
Research Aim: This study assesses the role of arts in the cultural invasion. It will find how various individuals and organizations, even states use different art (performing arts, liberal arts, visual arts, etc.) to invade other cultures? Moreover, it will analyze the western nations to see how they used their culture to change mindsets in Asian societies. It will calculate the difference in fashion, activities, lifestyles, employments, traditions, norms, etc., pre and post cultural invasion times in Asian societies.
Research Aim: This research finds the influence of oil-based portrait painting on portrait photography. It will show how the introduction of oil-based portrait painting influenced various aspects of portrait photography? It will assess the change in portrait photography methods due to changes in oil-based portrait painting over time. Moreover, it will show whether oil-based portrait painting has a role in portrait photography? Or is there no empirical relationship between both? Lastly, it will show through an academic lens how both can be combined to make photography better in terms of concepts, colors, content, photography methods, etc.,?
Research on Cultural Hybridity in the UK's Contemporary Art
Research Aim: This research paper aims to analyze the cultural hybridity found in UK art culture. The UK’s various art reproduces creative work, which enhances the art culture of the entire UK. The UK’s artistic practise creates an opportunity for its art culture to expand all over the world.

Looking through a New Glass: The American Film in the Modern World
Research Aim: This research paper aims to explore American films’ future possibilities by evaluating American films in this modern era. A different perspective is implemented to analyze the entire topic.
Impressionistic Painting: A Drive to another World
Research Aim: The focus of this dissertation is to situate impressionistic painting in the contemporary era. The application of the impressionistic technique gives a new dimension to the art of the contemporary period. The features of impressionism are the insights of the paintings.
Position of Aesthetic art in UK's Tradition
Research Aim: The paper focuses on evaluating the current position of aesthetic art in the UK’s modern culture. It also tries to express how the UK relates aesthetic arts with its tradition.
Idols in Painting Practice
Research Aim: This research paper aims to evaluate the practices of Idol painting in modern art. The abstract paintings of the idol are innovative art techniques to express in-depth knowledge regarding the piece of art. Finding out the reason behind the culture of idol painting is another aim.
The Altering Perception towards Art in Contemporary Culture
Research Aim: This research paper aims to seek out the changing perception of people to art in modern culture. Art is changing in itself, which develops contemporary art, hence the changing perception of people. A comparative study is also provided between traditional art and modern art.
Music in Australia: A Development in Art Culture
Research Aim: The objective of this dissertation paper is to explore the possibilities of modern music culture in Australia. The creative works in music give Australian art an innovative way to express it in the contemporary world, enhancing the position of Australian art.
History of Sculpture Art: A Comparative Study between the East and the West
Research Aim: This dissertation aims to form a comparative study regarding the history of sculpture art between the East and the West. The history of sculpture art of both the East and the West is analyzed to develop the aspects of comparison for the research study.
A War of Photography: Retro Version Modern
Research Aim: The research paper seeks to evaluate the comparison between the war of photography between modern and retro. The black and white tradition of photography is embraced by modern people. The importance of retro in the contemporary world is like innovation in art culture. So, the paper aims to divide the features of both retro and modern photography.
The needs of Modern Painting Techniques: Human vs. Nature
Research Aim: This paper aims to compare the needs of modern painting techniques. The human-centric paintings and the paintings of nature are the comparison topics, which is contemporary painters’ preference. Modern art develops depending on current techniques in painting.
Portrait Art and its Development in Western Culture
Research Aim: This dissertation paper aims to trace the origin of portrait art and its gradual development in western culture. The innovative portrait art is the need of modern civilization.
Classroom Creativity Development through Art and Craft
Research Aim: This dissertation paper is written to analyze the importance of art in the creative development of the classroom. The students in the school are instructed to do art and craftwork to develop their creative insight. Developing creativity is the beginning of innovation.
Visual art: a Communicator of Creative Genius
Research Aim: This dissertation aims to evaluate the significance of visual art as a communicative medium of creative genius. Visual art develops creativity. The impact of visual art can extract creativity from a thoughtful mind.
Art of Ancient Era: A Reflective Study of the East
Research Aim: The objective of this research is to trace the history of ancient art in the East. The importance of ancient art is invaluable through which the culture came into existence. Ancient art helps in developing modern art.
Modern Art: A Tool to Expand the Region of Art Culture
Research Aim: This paper aims to explore the possibilities of modern art and how it can expand the dimensions of art in the future. Through a complete evaluation of contemporary art and its role in the contemporary era, the dissertation seeks the importance of modern art.
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Art Dissertation Topics
An exhaustive 100 art dissertation topics help for an excellent thesis.
Art students seeking higher studies must write a dissertation paper to earn their degree course certificate. Nevertheless, choosing a suitable topic to write an original thesis becomes often a problem for the students. For this reason, we at the British Dissertation Help website offer Art Dissertation topics help from professional academic writers . They are devoted to helping students write stellar papers to secure desired grades in their art course. Before we see some of the Art Dissertation Topics Ideas, here are some broad categories, you can consider for formulating your own set of topics:
- Pablo Picasso
- Japanese Art
- Chinese Artform
- Russian Artform
- Renaissance Art
- Leonardo Da Vinci
- Salvador Dali
You can formulate your ideas on Artists from the different periods of art:
18th Century
- Wolfgang Amadeus Mozart
- Louis Francois Roubiliac
- Ludwig Van Beethoven
- Etienne Falconet
- Hubert Robert
- Francesco Rastrelli
- Jean-Antoine Houdon
19th Century
- Auguste Rodin
- Gustav Klimt
- Paul Gauguin
- Eduard Manet
- Eugene Delacroix
- Vincent Willem van Gogh
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20th Century
- Judy Chicago
- Jackson Pollock
- Alberto Giacometti
- Andy Warhol
- Edvard Munch
- Frida Kahlo
- Henry Spencer Moore
100 Art Dissertation Topics Help Ideas in 2022
Modern art topics for dissertation.
1. Contemporary art in the time of rapid Globalisation
2. A closer look into activism as a platform for modern art
3. A review of technologies used in modern art
4. A study into the growth of art fairs in the late 2000s
5. Modern art and multiplicity of forms: A case study
6. How have political cartoons transformed art totally in modern times?
7. On modern mural as a vehicle of political protest
8. Contemporary art and the place of Large-scale artworks
9. How technology is impacting the modern art
10. A Discussion on modern art styles: Conceptual art, Art Deco, British Pop Art
Comparative Study: Art Dissertation Topics Help
11. A comparison of Picasso’s Blue and Rose periods
12. Discussion on the contrast between the artwork of French and English gardens
13. Paintings of Rene Magritte and Salvador Dali: A comparison in surrealism
14. The Similarities and Differences between Baroque and Rococo design styles
15. Comparing the Greek and Egyptian canons of proportions
16. A comprehensive study on modern art and its contrast with the previous art periods
17. Baroque and Mannerism styles: Similarities and contrasts
18. Traditional and contemporary Caribbean music: What is the difference
19. A comparative study on the works of Gustave Courbet and Edouard Manet
20. A comparison of the principle ideas of Middle Age art and Renaissance Art
Art topics for Thesis writing
21. A case study on the “Birth of Venus” by Botticelli
22. The necessity of the 20th Century art form in the modern times
23. An assessment of the Baroque sculptures and their recognisable elements
24. A closer look at Graffiti as an artform
25. How computer games are evolving as an art form
26. The Mozart Effect: Perception or Real?
27. Analysing the life of Bansky: A vandal or a supremely talented artist?
28. On art as a business opportunity for investment.
29. How advertisement is becoming a modern form of art
30. Feminist movement and contemporary art: A discussion
31. Censorship in photojournalism
32. Assessments of the reasons for art education getting undervalued worldwide
36. The rise of Paris as a centre of art in the 20th century
37. Salvador Dali and the influence of Gala on this art
38. Art education and its effects n human cognition
39. Theatre as an art form and how it is transforming the modern culture
40. Influence of art in everyday life
41. Defining good art by the standards of historical and modern culture
42. “Guernica” by Pablo Picasso and its impact globally: An analysis
Art Dissertation Topics Ideas on Paintings and Sculptures
43. “Melencolia” by Albrecht Durer and the interpretations of the symbolism used in the engravings
44. A profound glance at the “Demons: of Mikhail Vrubel
45. Understanding the depiction of the female body in the works of Peter Paul Rubens: A study of “The Three Graces.”
46. The role of decorative elements in painting: A case study of Gustav Klimt’s painting “The Kiss.”
47. Discussing the role of Biblical symbols and Themes in the painting
48. A case study of ” The Garden of Delights: by Hieronymus
49. Style, composition and symbolism of “The Last Supper” by Leonardo da Vinci
50. Eric Roux-Fontaine and the Magic Realism in “La note bleu.”
51. Discussing the use of structure in the “Heart of Gold” by Christopher David White
52. Analysing the deeper meaning of the “Marriage Contract: by Giovanni Arnolfini
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Historical Topics for Art Dissertation
54. Medieval Europe: What caused the descent of art?
55. Van Gogh and the influence of Japanese art in his paintings
56. How iconoclasm defined and transformed Muslim art in the course of history
57. Second Great Migration and its role in the flourishing Harlem Renaissance
58. Cultural Revolution in China and how it impacted the contemporary Chinese art
59. Japanese lifestyle and Cultural effect on the art of Rock Garden
60. Sculptures of Ancient Greece and the influence of Gree Mythology
61. Hudson River School of Art and how it shaped American Painting for decades
62. Impact of Raphael’s art in the time of Renaissance
Art Dissertation Topics : Global Influence
63. Totem Masks as an art form of Papua New Guinea
64. Bollywood: A case study of the Hindi-language film industry
65. Korean music style and the rise of K-pop subculture
66. A style on the styles, techniques and materials used in Japanese Calligraphy
67. Exploring the fashion of the African tribes: A study on textiles
68. The history of War Dance haka in Maori Culture
69. Mehndi: Its origin and influence in India, Africa and the Middle East
70. Exploring Water Puppetry tradition of Vietnam
71. Tradition of Shadow puppetry in Indonesian and Malaysian Theatre: Wayang
72. Innovation in the ancient traditions of the Chinese Circus
Miscellaneous Art Dissertation Topics Ideas
73. Sacrifice: A prominent part of the Mayan art
74. Medieval France and the art of Stained glass
75. An evolution of primaeval musical instruments around the world
76. An introduction to the first impressionists, Edouard Manet and Claude Monet
77. The history and evolution of Venetian carnival masks
78. The perfect conservation of the Egyptian art canon for over 3,000 years.
79. Apocalypse: Depiction of the End of the World by artists in different periods
80. Renaissance art history references in “The Da Vinci Code” by Dan Brown
81. Kabuki Theatre of Japan and woodblock prints: Japanese Edo
82. “Philosophy of Art”: A coherent history of Human evolution
83. Photography as a form of art: History and evolution
84. Returning cultural properties to African countries post WWII
85. History and techniques of Printmaking
86. Role of jewellery and protective amulets in the afterlife in Ancient Egypt
87. The Artistry of Mesoamerican pyramids
88. Discussion of art in the Greek Theatre
89. A comparative study on Art Nouveau vs Art Deco
90. Exploring Balance: A main principle of art
91. The Life and Works of Francisco Goya
92. Woman and child: An introduction to African art themes
93. Religious Art: A introspective analysis about Leonardo Da Vinci’s practices
94. The impact of Surrealism on art
95. The evolution of Cubism in modern times
96. Art therapy: A real cure to depression or a myth?
97. Light and its uses in art
98. Figurative art vs geometric art: A comparative Study
99. Abstract Expressionism vs Surrealism: Similarities and Contrasts
100. Exploring the life of Alfred Stieglitz
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10 offbeat fine fine art dissertation topic ideas.
The essential goal when creating a fine art dissertation paper is crafting a good, solid topic. You may end up doing it all wrong if you do not understand the topic, or if you fail to write relevant content on the topic.
If you have any trouble understanding how you need to answer any specific questions or how your history of art dissertation should look like, do not hesitate to inquire your professor for any clarification you may need. Remember that before starting to write your paper; you must clarify everything in your head to write a concise paper that will reflect your research properly. You do not want to get a lower grade simply because you did not understand the task correctly. Staying on topic is essential in every paper. Be smart, and write your draft version first, then make sure it has good material before putting together the final version where you can handle the finishing touches.
Once you have your idea in mind, you should proceed with creating a title. One way to do it is after you finish all the work in the body paragraphs because then you can decide which sentences best summarizes your work, and is the most convenient for the given topic. Another way is, of course, thinking of something captivating that will define your paper before starting to write.
Make sure to compose your paper well. Get help if you do not know how. Also get someone to read your work before turning it in. Proofread endlessly, and think of rewriting various parts to get the best writing.
Fine Arts cover different things. Visual arts, music, drama, and even dancing. However, fine arts are considered to be mostly visual arts. If you haven't picked yet, it is critical to think which subjects interests you the most. What gives you the most inspiration? What did you study the most? What knowledge do you have on that subject? Is it enough to write a paper on it? What kind of research are you able to conduct? How much of your own thoughts can you put in the paper?
If you want to be an artist, you probably know by now you need something that will set you apart from the others. Besides being original, you also need to have talent, and readiness to work long and hard. But you can start by writing an amazing fine art dissertation that will score you many points in class and make your professor remember you right away. You want to come up with the idea that is different, that stands out, and shows you are unique. Combined with good writing, you will be on the right track from the very start.
Here are ten fresh art dissertation ideas to get you started:
- The life and work of an artist of your choosing
- War photography
- Painting nudity – is it visual art?
- Black and white photography Vs. Color photography
- The importance of film as visual art
- How landscape has become more or less popular in photography and painting
- Do the pictures posted on Instagram have any artistic value?
- Which draw more human attention – sculptures or paintings?
- Is the youth today interested in paintings of great artists?
- Compare and contrast of portraits that were photographed and the ones that were painted
Good luck writing your paper, and remember to whatever you do, always choose an offbeat topic that will allow you to be original. A good topic is something that gives you plenty of space to develop your thesis and is interesting to research. Make yourself wonder would you read the paper on the topic you chose?
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Department of History of Art
Best undergraduate dissertations 2015.
Since 2011 the Department of History of Art at the University of Bristol has published the best of the annual dissertations produced by our final-year undergraduates. We do so in recognition of the excellent research undertaken by our students, which is a cornerstone of our degree programme. As a department, we are committed to the advancement of art historical knowledge and to research of the highest order. Our undergraduates are part of that endeavour.
Listed below are the best of this year’s undergraduate art history dissertations, with links to the dissertations themselves where these are available. Please note that these dissertations are published in the state they were submitted for examination. Thus the authors have not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (eg in the formatting of footnotes and bibliographies). In each case, copyright resides with the author and all rights are reserved.
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Winning Dissertation
Learn how to compose a strong dissertation. Chose between different formatting styles and find out the basic structure of your paper.

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10 Elaborate Art Dissertation Topics
Any dissertation topic requires a great deal of work. It is not a basic essay and the amount and quality of research you do in gathering information plays a major part in the final piece of prose you create. And it doesn't matter which particular topic you are studying, there will always be a wide range of dissertation topics -- and this certainly applies in the study of art.
As always the choice of topic is of major significance. Not only must it be a topic you are keen to write about but also should be one which breaks new ground. This means that it is either a unique topic or that certainly your approach to the topic is unique. Always look for something different and if the topic has been written about before then certainly try for a different angle.
Here are ten art dissertation topics
- Art in the business of saving the environment.
- The type of arts that people do not believe really is art.
- What is the place of cartoons in the world of art?
- What do we mean by post modernism in the world of comic book art?
- Can we talk about arts in terms of hairstyles and hair fashions?
- In studying the culture of a period, what role does art play in this study?
- The importance of the self-portrait in an artist's body of work.
- Photography and the art gallery.
- Why has art deco continued to attract great attention?
- The role of outdoor art exhibits in modern society.
It is easy to see that selecting an art dissertation topic allows you free reign. But having this fabulous choice is only worthwhile if you really have a passion for the topic, if it has plenty of relevant and accessible research material and if there is a dearth of writing on your chosen topic.
Aim to make the most and the best of a good situation. Selecting a topic which is unusual makes common sense but only if you really are serious about the topic and it has depth. Many modern art topics have little material upon which you can draw and build a meaty dissertation.
Thinking outside the square is always worth a punt. As you can see from some of the suggested topics above, ideas which challenge the place and idea of art are always provocative and often laced with valuable resource material.
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Art History Dissertation Topics
Art History, the study of objects made by humans for the purposes of aesthetic pleasure is a wide and varied area for study. Clearly, there is a huge scope for art historical study with many different ages of man being taken into account, the below areas give an indication of possible dissertation topics within some of the main areas of study today.
Gothic Art through Medieval Eyes
Egyptian art and architecture, spanish painting of the golden age, art history theory, art and politics, indian art in the colonial and post-colonial era.
The 1100’s-1500’s was the time of the Gothic period, moving toward the era of the Renaissance. There was a flowering of Gothic architecture and the movement crossed into stained glass and medieval town buildings. With current fascination in the Gothic, and the Victorian revival of Gothic architecture a feature of our landscape, returning to the eyes of the medieval artists can be very interesting.
- How was Humanity’s desire to touch God exemplified in the medieval Cathedral?
- How does the Gothic link with the Romanesque in medieval architecture?
- Florentine historiographer Giorgio Vasari (1511–1574) was the first to label the architecture of preceding centuries “Gothic,” to what was he referring to? Analyse what Vasari meant and how his definition may be different to ours today.
- Is Gothic architecture more than a pointed arch?
- An analysis of the stories and purpose of Gothic stained glass.
Many universities now include Egyptian art and architecture as part of the History of Art Courses. As a module it connects to the early development of Art in one of the Ancient World’s greatest civilisations. It also is a feature of global perspectives of art, and Egypt and the Nile transported ideas and culture as much as material goods into the rest of Africa. The time frame involved is 31st century BC and the 4th century AD although there is a certain fluidity around these dates.
- A comparison between the development of Byzantine and Egyptian art.
- How can contemporary feminism allow new insights into Egyptian art forms?
- Analyse the development of the human body in Egyptian art and architecture.
- Is it true that Egyptian art changed very little over time?
- Iconoclasm in Ancient Egypt, was this a forerunner to Black Live Matter modern day protests?
- Trace the development of Amarna Art (c.1350 BC) and comment on the use of movement and activity new to Egyptian art.
The mid fifteenth to late sixteenth century is the time period known as the Spanish Golden Age. The art of the period has received deserved attention from University modules in both undergraduate and Master’s levels.
- Examine how the cult of the virgin influenced the art and style of the Golden Age.
- Situate the Spanish Golden Age painters within a wider European context of what was happening in art development.
- How were social attitudes and religious beliefs absorbed into the art and style of the leading Golden Age painters.
- A discussion of reformed naturalism in the decoration of El Escorial.
- What created the paradox in how the visual culture and literary arts in Spain thrived amid a time of political instability and economic crisis.
The theory and practice of art theory is often explored as a module in the final year of undergraduate study.
- How is it possible for distinct art periods to create a definitive style, yet share stylistic similarities?
- Are art and aesthetic appreciation necessarily matters of convention?
- When Marcel Duchamp displayed an upturned urinal in the 1917 exhibition of the Society of Independent Artists, what connected his gesture to the work of his peers was the assertion of the artist’s role in choosing what got to count as art. Discuss what constitutes art?
- A discussion of the biomorphic in twentieth century painting.
- How did Miro contribute to the surrealist movement?
- Examine Picasso in light of the political and social movements of the day.
- How does Picasso’s picture of Gertrude Stein mark a development in his work as an artist?
Politics and art have always gone together. From the political paintings of the Tudor court to the use of art from the fascist regimes of the 1930’s, art has often been a political tool because of the fact that there is often political patronage of the artists. The art often reflected the paymaster. In any art analysis looking toward who the patron is matters, it shows how the artist would move to show the wider aims of the time period.
- How did the architecture of Albert Speer show the wider politics of the Third Reich?
- With a focus on Holbein’s The Ambassadors , was Holbein purely a political artist?
- Was Russian Art during the Cold War an extension of the communist state?
- A discussion of the degenerate art exhibition put on by the Third Reich, why was it degenerate and how did the German people really feel about it?
- To what extent was Hieronymous Bosch presenting the perspective of his patrons?
- Has sculpture been appropriated for political display?
India is a huge subcontinent with art styles pulling from many religious and cultural traditions. Study of Indian art is ever fascinating and in art history allows the art historian to track a lineage of art development and style. With its central adherence to Hinduism, India is home to many other faiths, and the influence of Mughal and British eras helped style the cities that formed the centres of their Empire.
- Reflect on the development of Hindu and Buddhist Temple Art in Indian tradition.
- How did the political message of the Mughals infuse with the Hindu culture of India?
- Did the British era lead to a repression or development of Indian art?
- An analysis of the history and development of the miniature painting in Indian art.
- How does the Zain tradition contribute to Indian temple art?
- Discuss the impact of the natural world in Indian painting.
- How does British architectural style frame the centre of Delhi today?
- An analysis of the contribution of Indian culture to the Catholic churches of Goa and the South of India.
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Department of History of Art PhD Dissertations
2020 to present.
- 2022 Katharine Campbell: Creating the Composite: Combinatory Artistry and the Notion of Style in Antwerp, c. 1510-1585 (Directed by Celeste Brusati and Megan Holmes)
- 2022 Sean Kramer: Military Manhood: Visualizing the Common Soldier in French and British Art and Culture, 1871-1914 (Directed by Susan Siegfried and Elizabeth Sears)
- 2022 Jun Nakamura: Prints and Printedness: Mark Making, Meaning, and Perceptions of Print in the Seventeenth-Century Netherlands (Directed by Celeste Brusati and Megan Holmes)
- 2022 Gerui Wang: Landscape and the Representation of Public Spaces: Chinese Visual Culture from 10th-14th Centuries (Directed by Kevin Carr and Martin Powers)
- 2021 Courtney Wilder: Novel Impressions: Prints, Textiles, and the Visual Economy in Europe, 1815-1851 (Directed by Susan Siegfried)
- 2021 Susan Dine: Seeing Speech, Reading Bodies: Manifestations of Language in Japanese Buddhist Visual Cultures of the Thirteenth Century (Directed by Kevin Carr)
- 2021 Vishal Khandelwal: Crafting Expertise: Art and Design Pedagogy and Professional Values at the National Institute of Design in India, 1955-1985 (Directed by Claire Zimmerman)
- 2020 Chanon Praepipatmongkol: Postwar Abstraction and Practices of Knowledge: Fernando Zobel and Chang Saetang (Directed by Joan Kee)
- 2020 Elizabeth Rauh: An Islamic Cosmos: Artistic Engagements with Islamic Heritage in Iran and the Arab East, 1958-2018 (Directed by Christiane J. Gruber)
- 2020 Stephanie Triplett: The Rise of Narrative Animal Painting in France and Germany, 1790- 1880 (Directed by Susan Siegfried)
2010 - 2019
- 2019 Ashley Dimmig: Making Modernity in Fabric Architecture: Imperial Tents in the Late Ottoman Period (Directed by Christiane J. Gruber)
- 2019 Ximena Gomez: Nuestra Senora: Confraternal Art and Identity in Early Colonial Lima (Directed by Megan Holmes and Stella Nair)
- 2018 Chun Wa Chan: Framing a Foreign God: The Tamamushi Shrine and the Opportunities of Buddhism in Early Japan (Directed by Kevin G. Carr)
- 2018 Alexanda Fraser: Art, Decoration, and the Texture of Modern Experience: The Interior Before 1900 (Directed by Alex D. Potts)
- 2018 Jennifer Gear: Visualizing the 1630-31 Plague Epidemic in Early Modern Venice and the Veneto (Directed by Megan Holmes)
- 2018 Tina Le: Material Conceptualisms: Philippine Art under Authoritarianism, 1968 – 1986 (Directed by Joan Kee)
- 2018 Grant Mandarino: Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic (Directed by Matthew Biro)
- 2018 Allison Martino: Stamping History: Stories of Social Change in Ghana's Adinkra Cloth (Directed by Raymond Silverman)
- 2018 Wendy Sepponen: Milanese Bronze, Spanish Stone, and Imperial Materials: Sculptural Interchange and the Leoni Workshops 1549-1608 (Directed by Megan Holmes and Alex D. Potts)
- 2017 Ashley Miller: Locating ‘Heritage’ in Morocco: Colonial Notions of Cultural Heritage and the Promotion of Morocco’s Decorative Arts under the French Protectorate (1912-1931) (Directed by Raymond A. Silverman)
- 2017 Kristin Schroeder: How to Look Sachlich: Fashion and Objectivity in Weimar Germany (Directed by Matthew Biro)
- 2017 Alice Sullivan: The Painted Fortified Monastic Churches of Moldavia: Bastions of Orthodoxy in a Post-Byzantine World (Directed by Achim Timmermann)
- 2017 Emily Talbot: The Photographic Effect: Making Pictures After Photography, 1860-1895 (Directed by Susan L. Siegfried)
- 2016 Nicholas Hartigan: The Purpose of Public Sculpture: Artistic, Institutional, and Cultural Motivations since 1965 (Directed by Alex D. Potts)
- 2016 Lehti Keelmann: Bachelors Bridging the Baltic: The Artistic Ambitions of the Tallinn Brotherhood of the Black Heads, c. 1400-1524 (Directed by Achim Timmermann)
- 2016 Kristine Ronan: Buffalo Dancer: The Biography of an Image (Directed by David Doris)
- 2016 Anna Wieck: Painting, Popular Culture, Putrefaction: Depicting Tradition on the Eve of the Spanish Civil War (1936-1939) (Directed by Alex Potts)
- 2015 Antje K Gamble: National and International Modernism in Italian Sculpture from 1935-1959. (Directed by Alex Potts)
- 2015 Vivian Li: Art's Public Lives: Sculpture in China after 1949. (Directed by Joan Kee)
- 2015 Megan C McNamee: Picturing Number in the Central Middle Ages. (Directed by Elizabeth Sears)
- 2015 Pamela AV Stewart: Devotion to the Passion in Milanese Confraternities, 1500-1630: Image, Ritual, Performance. (Directed by Megan Holmes)
- 2014 Katherine Brion: Decorative Painting and Politics in France, 1890-1914. (Directed by Howard Lay)
- 2014 Monique Johnson: An Insistent Subject: The Countess de Castiglione Facing the Lens. (Directed by Susan Seigfried)
- 2014 Melanie Sympson: Experiment and Visual Transformation in Illuminated Manuscripts of the Roman de la rose, c. 1338 - c. 1405. (Directed by Elizabeth Sears)
- 2014 Kathy Yusuf Zarur: Self-Portraiture and the Rise of "Arab" Art: Tarek Al-Ghoussein, Hassan Musa and Walid Raad. (Directed by Matthew Biro and Nadine Naber)
- 2013 Rebecca Bieberly: "Seeing" the "Ordinary" at Lingyan Temple in Eleventh-Century China. (Directed by Kevin Carr and Martin Powers)
- 2013 Bridget Gilman: Re-envisioning Everyday Spaces: Photorealism in the San Francisco Bay Area. (Directed by Matthew Biro)
- 2013 Elissa Park: Negotiating the Discourse of the Modern in Art: Pan Yuliang (1895-1977) and the Transnational Modern. (Directed by Martin Powers)
- 2013 Silvia Tita: Political Art of the Papacy: Visual Representations of the Donation of Constantine in the Early Modern Period. (Directed by Megan Holmes and Thomas Willette)
- 2013 Heather Vinson: Repetitions: Memory and Making Degas's Ballet Classroom Series. (Directed by Howard Lay)
- 2012 Nadia Baadj: "Monstrous creatures and diverse strange things": The Curious Art of Jan van Kessel I, 1626-1679. (Directed by Celeste Brusati)
- 2012 Jessica Fripp: Portraits of Artists and the Social Commerce of Friendship in Eighteenth- Century France. (Directed by Susan Siegfried)
- 2012 Lauren Graber: Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968. (Directed by Matthew Biro)
- 2012 Philip Guilbeau: El Paular: Anatomy of a Charterhouse. (Directed by Elizabeth Sears and Achim Timmermann)
- 2012 Marin Sullivan: Material Dispersions: Sculpture, Photography, and International Interventions in Italy, 1962-72. (Directed by Alex Potts)
- 2011 Heather Badamo: Image and Community: Representations of Military Saints in the Medieval Eastern Mediterranean. (Directed by Elizabeth Sears and Thelma Thomas)
- 2011 Christopher Coltrin: Apocalyptic Progress: The Politics of Catastrophe in the Art of John Martin, Francis Danby, and David Roberts. (Directed by Susan Siegfried)
- 2011 Ksenya A Gurshtein: TransStates: Conceptual Art in Eastern Europe and the Limits of Utopia. (Directed by Alex Potts)
- 2011 Katharine Raff: Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience. (Directed by Elaine Gazda)
- 2010 Monica Huerta: Encountering Mimetic Realism: Sculptures by Duane Hanson Robert Gober and Ron Mueck. (Directed by Pat Simons and Rebecca Zurier)
- 2010 Christina Chang: The End of Painting. (Directed by Alex Potts)
- 2010 Kathie Hornstein: Episodes in Political Illusion: The Proliferation of War Imagery in France (1804-1856). (Directed by Susan Siegfried)
- 2010 Heidi Gearhart: Theophilus' On Diverse Arts: the persona of the artist and the production of art in the twelfth century. (Directed by Elizabeth Sears)
2000 - 2009
- 2009 Kirsten Olds: Networked Collectivities: North American Artists' Groups, 1968-1978. (Directed by Alexander Potts)
- 2009 Bo Liu: Political Expression in Song Dynasty Fan Painting. (Directed by Martin Powers)
- 2008 Christopher Bennett: Boetti and Pascali, Two Case Studies (1965-70): Revisiting Arte Povera after the fall of the Berlin Wall. (Directed by Alexander Potts)
- 2008 Jen Yi Lai: Cultural Identity and the Making of Modern TaiwanesePainting During the Japanese Colonial Period (1895-1945). (Directed by Celeste Brusati and Joel Isaacson)
- 2008 Min Yong Cho: How Land Came into the Picture: Rendering History in Fourteenth-Century Iran. (Directed by Martin Powers and Sussan Babaie)
- 2008 Diana Bullen-Prescuitti: The Visual Culture of the Central Italian Foundling Hospital, 1400-1600. (Directed by Megan Holmes)
- 2007 Jong Phil Park: Ensnaring the Public Eye: Painting Manuals of Late Ming China (1550-1644) and the Negotiation of Taste. (Directed by Martin Powers)
- 2007 Angela Ho: Rethinking Repetition: Constructing Value in Dutch Genre Painting, 1650s to 1670s. (Directed by Celeste Brusati)
- 2007 Joan Downs: The Topography and Iconography of Death in Christian North Africa. (Directed by Thelma Thomas)
- 2007 Jeffrey Lieber: Pervasive Beauty: Modern Architecture and Mass Democracy at Mid-Century. (Directed by Alexander Potts)
- 2006 Heather Flaherty: The Place of the Speculum Humanae Salvationis in the Rise of Affective Piety in the Later Middle Ages . (Directed by Elizabeth Sears)
- 2006 Sean Roberts: Cartography Between Cultures: Francesco Berlinghieri’s ‘Geographica’ of 1482. (Directed by Patricia Simons)
- 2006 Timothy McCall: Networks of Power: The Art of Patronage of Pier Maria Rossi of Parma. (Directed by Patricia Simons)
- 2005 Leela Wood: The Buddha and the Shape of Belief: Indic Visual Jatakamalas. (Directed by Luis Gomez and Martin Powers)
- 2005 Tatiana Senkevitch: Printmaking's Perspectives Abraham Bosse and the Pedagogic Debates at the French Academy 1648 - 1661. (Directed by Celeste Brusati)
- 2005 Sandra Seekins: Stelarc: Peformance Art, Technology & Gender. (Directed by Patricia Simons)
- 2005 Natsu Oyobe: Materials that scream: Yoshihara Jiro and the Early Years of the Guai Art: Assoc. (1954-1970). (Directed by Martin Powers and Kevin Carr)
- 2005 Carmenita Higgenbotham: Saturday Night at the Savoy: Blacknes and Urban Spectacle in the Art of Reginald Marsh. (Directed by Rebecca Zurier)
- 2005 Chris Defay: Art, Enterprise, Collaboration: Richard Serra and the Art of Technology Program, 1966 – 1979. (Directed by Alexander Potts)
- 2004 Yao-Fen You: Import / Export: A Case Study of Brabantine Alterpieces in the Rhineland, 1500 – 1530. (Directed by Celeste Brusati)
- 2004 Alexandra Schwartz: Designing Ed Ruscha: The Invention of the Los Angeles Artist, 1960 – 1980. (Directed by Alexander Potts and Maria Gough)
- 2004 Julia Perlman: Taking Aim at Amore: Michelangelo, Bronzino and the Lexico of Pictorial Ambiguity in Representations of Venus and Cupid. (Directed by Patricia Simons)
- 2004 Catherine McCurrach: The Veneration of St. Benedict in Medieval Rome: Parish Architecture, Monumental Imagery, and Popular Devotion. (Directed by Caroline Bruzelius and Elizabeth Sears)
- 2004 Allison MacDuffee: Camille Pissaro: Modernism, Anarchism, and the Representation of ‘The People’ 1888 – 1903. (Directed by Howard Lay)
- 2004 Lisa Langlois: Exhibiting Japan: Gender and National Identity at the World’s Columbian Exposition of 1893. (Directed by Jonathan Reynolds and Patricia Simons)
- 2004 Douglas Hildebrecht: Otto Marseus van Schrieck (1619 / 20 - 1678) and the Nature Piece: Art, Science, Religion, and the Seventeenth – Century Pursuit of Natural Knowledge. (Directed by Celeste Brusati)
- 2004 Mariana D. Giovino: Interpretations of the ‘Assyrian Sacred Tree,’ 1849-2004 . (Directed by Margaret Root)
- 2004 Lisa Bessette: Early Medieval Visualization of the Contents of the Psalms . (Directed by Elizabeth Sears)
- 2003 Elizabeth Otto: Figuring Gender: Photomontage and Cultural Critique in Germany’s Weimar Republic . (Directed by Matthew Biro)
- 2003 Susan Jung Lee: The Sooji Screens and Teinai Yurakuzu . (Directed by Martin Powers and Jonathan Reynolds)
- 2003 Wen-Chien Chang: Images of Happy Farmers in Song China (960-1279): Drunks, Politics and Social Identity. (Directed by Martin Powers)
- 2003 Laura Bassett: The Paintings and Carreer of Cornelius De Man: Art and Mercantile Culture in Seventeenth-Century Delft. (Directed by Celeste Brusati)
- 2002 Mary Louise Totton: Weaving Flesh and Blood into Sacred Architecture: Ornamental Stories of Candi Loro Jonggrang. (Directed by Walter Spink)
- 2002 George Kuwayama: Chinese Ceramics in colonial Latin America . (Directed by Martin Powers)
- 2002 Roslyn Lee Hammers: The Production of Good Government: Images of Agrarian Labor in Southern Song (1272 / 79 – 1368). (Directed by Martin Powers)
- 2002 Jane H. Carpenter: Conjure Woman: Betye Saar and Rituals of Transformation, 1960-1990 (Directed by Jacqueline Francis and Richard Candida Smith)
- 2002 Nancy Anderson: Observing Techniques: Images from Microscopial Life Sciences, 1850-1895 . (Directed by Celeste Brusati and Martin Pernick)
- 2001 Irene Leung: The Frontier Imaginary in the Song Dynasty (960-1279): Revisiting Cai Yan’s “Barbarian Captivity” and Return. (Directed by Martin Powers)
- 2000 Christina Waugh: Style-Consciousness in Fourteenth-Century Society and Visual Communication in the Moralized Bible of John the Good. (Directed by Elizabeth Sears)
- 2000 Maureen Shanahan: Forging Men and Manufacturing Women: Fernan Leger’s Mechanical Arts. (Directed by Matthew Biro)
- 2000 Kathryn Selig-Brown: Handprints and Footprints in Tibetan Painting. (Directed by Walter Spink)
- 2000 Jonathan Perkins: Klee and Eros. (Directed by Diane Kirkpatrick)
- 2000 Jonathan Binstock: Sam Gilliam: The Making of a Career, 1962-1973. (Directed by D. Kirkpatrick and S. Patton)
1990 - 1999
- 1999 Melanie Holcomb: The Function and Status of Carved Ivory in Carolingian Culture Metropolitan Museum. (Directed by Elizabeth Sears and Ilene Forsyth)
- 1999 Andrew Campbell: Negotiating the Archive: Photography, Authority and Cultural Memory, 1861-1876. (Directed by Diane Kirkpatrick)
- 1999 Kirsten Buick: The Sentimental Education of Mary Edmonia Lewis: Identity, Culture and Ideal Works. (Directed by S. Patton and Diane Kirkpatrick)
- 1999 Tamara Bentley: Authenticity in a New Key: Chen Hongshou’s Figurative Oevre, “Authentic Emotion,” and the Late Ming Market. (Directed by Martin Powers)
- 1999 Jasmine Alinder: Out of Site: Photographic Representations of Japanese American Internment. (Directed by Diane Kirkpatrick)
- 1999 Kirk Ambrose: Romanesque Vezeley: The Art of Monastic Contemplation. (Directed by Ilene Forsyth and Elizabeth Sears)
- 1998 Jane Chung-Apley: The Illustrated Vie et Miracles de Saint Louis of Guillame de Saint-Pathus (Paris, B.N., ms. fr. 5716). (Directed by Elizabeth Sears)
- 1997 Monika Schmitter: The Display of Distinction: Art Collecting and Social Status in Early Sixteen Century Venice. (Directed by Patricia Simons)
- 1997 Rebecca Price-Wilkin: The Late Gothic Abbey Church of Saint-Riquier: An Investigation of Historical Consciousness. (Directed by Ilene Forsyth and Neagley)
- 1997 Marcelle Hourt Pour: Charles Blanc and the Gazette des Beaux-Arts: 1859-1870. (Directed by J. Isaacson and Celeste Brusati)
- 1997 Leslie Cavall: Social and Symbolic Functions of the Romanesque Façade: The Example of Maeacon’s Last Judgement Gailee. (Directed by Ilene Forsythe)
- 1996 Lisa J. De Boer: Martial Arts: Military Themes and Images in Dutch Art of the Golden Age. (Directed by Celeste Brusati)
- 1996 Mayra V. Rodriguez: Austere Late Gothic: The Architecture of the Collegiate Church of the Notre-Dame at Clery-Saint-Andre. (Directed by Ward Bissell and Linda E. Neagley)
- 1996 Molly M. M. Lindner: The Vestal Virgins and Their Imperial Patrons: Sculptures and Inscriptions from the Atrium Vestae in the Roman Forum. (Directed by Elaine Gazda)
- 1996 Rita S. Goodman: Theodore Gericault's Portraits of the Insane: Art, Psychiatry and the Politics of Philanthropy. (Directed by Thomas Crow and Joel Isaacson)
- 1995 Katharine Persis Burnett: The Landscapes of Wu Bin (C. 1543-C. 1626) and a Seventeenth-Century Discourse of Originality. (Directed by Richard Edwards & Martin Powers)
- 1995 Charlene Marianna Villasenor Black: Saints and Social Welfare in Golden Age Spain: The Imagery of the Cult of Saint Joseph (Directed by R. Ward Bissell)
- 1995 Carmen Belen Lord: Point and Counterpoint: Ramon Casas in Paris and Barcelona, 1866-1908 (Directed by Joel Isaacson)
- 1995 S. Richard Rand: Representing the Picturesque Garden: The Landscapes of Fragonard (Directed Hood Museum of Art by T. Crow and J. Isaacson)
- 1995 David J. O'Brien: The Art of War: Antoine-Jean Gros and French Military Painting, 1795-1804 (Directed by J. Isaacson and T. Crow)
- 1995 John Andrew Listopad: The Art and Architecture of the Reign of Somdet Phra Narai (Directed by Walter Spink)
- 1995 Natalija Natasha Kuzmanovic: John Paul Cooper (1869-1933), Designer and Craftsman (Directed by William Hennessey and Marvin Eisenberg)
- 1994 Derrick Randall Cartwright: Reading Rooms: Interpreting the American Public Library 1890-1930 (Directed by J. Isaacson)
- 1994 Todd Philip Olson: Nicolas Poussin, His French Clientele and the Social Construction of Style (Directed by T. Crow and P. Simons)
- 1994 Masuyo Tokita Darling : The Romanesque Architecture and Sculpture of Perrecy-Les-Forges (Directed by Ilene H. Forsyth)
- 1994 Elizabeth Horton Sharf: Abaku Zen Portrait Painting: A Revisionist Analysis (Directed by Karen L. Brock and Walter Spink)
- 1994 John Tadao Teramoto: The Yamai No Soshi: A Critical Reevaluation of Its Importance to Japanese Secular Painting of the Twelfth Century (Directed by Paul Berry and Jonathan Reynolds)
- 1994 Masumi Iriye: Le Vau's Menagerie and the Rise of the Animalier: Enclosing, Dissecting, and Representing Animal in Early ModernFrance (Directed by Nathan T. Whitman and Graham Smith)
- 1994 John Siewert: Whisler's Nocturnes and the Aesthetic Subject (Directed by J. Isaacson)
- 1994 David Acton: Hendrik Goltzius and Rudolfine Mannerism in the Graphic Arts (Directed by Graham Smith)
- 1993 Timothy A. Motz: The Roman Freestanding Portrait Bust: Origins, Context, and Early History (Directed by E. Gazda)
- 1993 Giovanna D Costantini: Maesta: Humanism and the Art of Francisco Zuniga (Directed by D. Kirkpatrick)
- 1993 Bille Wickre: Collaboration in the Work of Margaret Macdonald, Frances Macdonald, Charles Rennie Mackintosh and J. Herbert MacNair (Directed by J. Isaacson and D. Kirkpatrick)
- 1993 Nathan P. Griffith: Richard Serra and Robert Irwin: Phenomenology in the Age of Art and Objecthood (Directed by D. Kirkpatrick)
- 1993 Barbara Lee Tannenbaum: The Paintings of Seymour Rosofsky (Directed by D.Kirkpatrick)
- 1993 Robert E. Haywood: Revolution of the Ordinary: Allan Kaprow Invention of Happenings (Directed by Joel Isaacson and Thomas Crow)
- 1992 Susan Elizabeth Ryan: Figures of Speech: The Art of Robert Indiana, 1958-73 (Directed by Diane Kirkpatrick)
- 1992 Eun-wha Park: The World of Idealized Reclusion: Landscape Painting of Hsiang Sheng-Mo (1597-1658) (Directed by Richard Edwards and Walter Spink)
- 1992 Gabrielle Langdon: Decorum in Portraits of Medici Women at the Court of Cosimo, 1537-1574 (Directed by R. W. Bissell and G. Smith)
- 1992 Jean Ann Dabb: The Church of St. Nicolas at Civrey: The Facade and its Sculptural Mary Decoration (Directed by I. H. Forsyth)
- 1991 Martha J. McClintock: Okuhara Seiko (1837-1913): The Life and Arts of a Period Literati Artist (Directed by Paul Berry)
- 1991 Victoria L. Weston: Modernization in Japanese-Style Painting: Yokoyama Taikan (1868-1958) and the Morotai Style (Directed by Paul Berry)
- 1991 Jasmin W. Cyril: The Imagery of San Bernardino Da Siena, 1440-1500: An Iconographic Study (Directed by M. Eisenberg & R. W. Bissell)
- 1991 Chuhui Judy Lai: The Han Representation of exemplary Women: Context and Interpretation (Directed by Martin J. Powers)
- 1991 Carolyn Marie Carty: Dreams in Early Medieval Art (Directed by Ilene Forsyth)
- 1990 Janice Simon: The Crayon, 1855-1861: The Voice of Nature in Criticism, Poetry, and the Fine Arts (Directed by David Huntington)
- 1990 Woodard Openo: The Summer Colony at Little Harbor in Portsmouth, New Hampshire and Its Relation to the Colonial Revival Movement (Directed by David Huntington)
- 1990 Elizabeth Higashi: Conical Glass Vessels from Karanis: Function and Meaning in a Pagan/Christian Context in Rural Egypt (Directed by Margaret Root)
1980 - 1989
- 1989 Joan O'Mara: The Haiga Genre and the Art of Yosa Buson (1716-84) (Directed by W. Spink)
- 1989 Elizabeth Pilliod: Studies on the Early Career of Alessandro Allori (Directed by Graham Smith)
- 1989 Stephen A. Markel: The Origin and Early Development of the Nine Planetary Deities Mus\Art (Navagraha) (Directed by Walter Spink)
- 1989 Marshall Wu: Chin Nung: An Artist with a Wintry Heart (Directed by Richard Edwards and Paul Berry)
- 1989 M. Carol Morland: Watanabe Kazan 1793-1841: Tradition and Innovation in Japanese Painting (Directed by Paul Berry)
- 1989 Karen Kleinfelder: The Theme of the Artist and Model in Picasso's Late Graphics (Directed by R. Arnheim & Victor Miesel)
- 1989 Diane Tepfer: Edith Gregor Halpert and the Downtown Gallery Downtown: 1926-1940; A Study in American Art Patronage (Directed by Diane Kirkpatrick)
- 1988 Laurie Taylor-Kelley (Mitchell): The Horizontal Tuscan Panel, 1200-1365: Frame Format and Pictorial Composition (Directed by R. Arnheim & Marvin Eisenberg)
- 1988 Kathleen A. Pyne: Immanence, Transcendence, and Impressionism in Late Nineteenth- Century American Painting (Directed by David C. Huntington)
- 1987 Beverly Orlove Held: "To Instruct and Improve...To Entertain and Please" American Civic Protests and Pageants 1765-1784 (Directed by David C. Huntington)
- 1987 Linda J. Wolk: Studies in Perino Del Vaga's Early Career (Directed by Graham Smith)
- 1987 Erica Susanna Trimpi: Matteo Di Giovanni: Documents and a Critical Catalogue of His Panel Paintings (Directed by Marvin Eisenberg)
- 1987 Barbara K. Schnitzer: The 16th Century French Ceramic Ware called Saint-Porchaire (Directed by Nathan Whitman)
- 1987 Robert Alan Benson: Douglas Putnam Haskell (1899-1979) The Early Critical Writings (Directed by Leonard Eaton)
- 1986 Christine M. Nelson Ruby: Art for the People: Art in Michigan Sponsored by the Treasury Section of Fine Arts, 1934-1943 (Directed by D. Kirkpatrick)
- 1986 Catherine Elna Fruhan: Trends in Roman Sculpture Circa 1600 (Directed by R. Ward Bissell)
- 1986 Pearson M. Macek: The Westminster Retable: A Study in English Gothic Panel Painting (Directed by Marvin Eisenberg & Christine Verzar Bornstein)
- 1985 Paul A. Berry: Tanomura Chikuden 1777-1835: Man Amidst the Mountains Japan F'97 (Directed by Cal French)
- 1985 Marjorie L. Harth: Robert Hudson Tannahill (1893-1969) Patron and Collector (Directed by M. Eisenberg & Charles Sawyer)
- 1985 Marion E. Jackson: Baker Lake Inuit Drawings: A Study in the Evolution of Artistic Self-Consciousness (Directed by Evan M. Maurer)
- 1985 Michael A. Marlais: Anti-Naturalism, Idealism and Symbolism in French Art Criticism, 1880-1895 (Directed by Joel Isaacson)
- 1985 Frank I. Heckes: Supernatural Themes in the Art of Francisco De Goya (Directed by Joel Isaacson & H. E. Wethey)
- 1985 Eleanor Mannikka: Angkor Wat: Meaning Through Measurement (Directed by W. Spink & H. Woodward, Jr.)
- 1985 Sung-woo Kim: History and Design of the Early Buddhist Architecture in Korea (Directed by Leonard Eaton & Richard Edwards)
- 1984 Sadako Ohki: Ike Taiga's "Karayo Calligraphy (Directed by Cal French)
- 1984 Matthew L. Rohn: Visual Dynamics in Jackson Pollock's Abstractions (Directed by Rudolf Arnheim & Diane Kirkpatrick)
- 1984 Marjorie J. Panadero (Hall): The Labors of the Months and the Signs of the Zodiac in 12th-Century French Facades (Directed by I. H. Forsyth)
- 1984 Vishakha N. Desai: Connoisseur's Delights: Early "Rasikapriya" Paintings in India (Directed by Walter M. Spink)
- 1984 Shelley K. Perlove: Gianlorenzo Bernini's Blessed Lodovica Albertoni and Baroque Devotion (Directed by R. Ward Bissell)
- 1984 Beth E. Genne: The Film Musicals of Vincente Minnelli and the Team of Gene Kelly and Stanley Donen: 1944-1958 (Directed by Diane Kirkpatrick)
- 1984 James J. Robinson: The Vitality of Style: Aspects of Flower and Bird Painting During the Yuan Dynasty (1279-1368) (Directed by Richard Edwards)
- 1983 Phylis A. Floyd: Japonisme in Context: Documentation, Criticism, Aesthetic Reactions (Directed by Joel Isaacson)
- 1983 Ellen A. Plummer: The Eighteenth-Century Rebuilding of S. Croce in Gerusalemme, Rome (Directed by N. T. Whitman)
- 1983 Marilyn E. Leese: The Traikutaka Dynasty and Kanheri's Second Phase of Buddhist Cave Excavation (Directed by Richard Edwards)
- 1983 Maribeth Graybill: Kasen-e An Investigation into the Origins of the Tradition of Poet Pictures in Japan (Directed by Cal French)
- 1983 Barbara J. Haeger: The Religious Significance of Rembrandt's "Return of the Prodigal Son": An Examination of the Picture in the Context of the Visual and Iconographic Tradition (Directed by N. T. Whitman)
- 1983 William R. Levin: Studies in the Imagery of Mercy in Late Medieval Italian Art (Directed by Christine Bornstein & M. Eisenberg)
- 1983 John B. Hunter III: The Life and Work of Girolamo Siciolante da Sermoneta (Directed by G. Smith & R. Ward Bissell)
- 1983 Elizabeth M. B. Gosling: The History of Sukhothai as a Ceremonial Center: A Study of Early Siamese Architecture and Society (Directed by H. W. Woodward, Jr. and Walter M. Spink)
- 1983 Daniel E. O'Leary: Harmony and Ritualistic Allusion in the Tornabuoni Chapel in Santa Maria Novella (Directed by Graham Smith)
- 1983 Leonard B. Darling, Jr.: The Transformation of Pure Land Thought and the Development of Shinto Shrine Mandala Paintings: Kasuga and Kumano (Directed by Cal French)
- 1983 Harry Murutes: Lorenzo Lotto's Major Altarpieces of the "Enthroned" Madonna with Saints": Doctoral Meaning, Sources, and Expression (Directed by H. E. Wethey and R. Ward Bissell)
- 1982 Kenneth A. Breisch: Small Public Libraries in America 1850-1890: The Invention and Evolution of a Building Type (Directed by Leonard K. Eaton)
- 1982 Jacquelynn Baas: Auguste Lepere and the Artistic Revival of the Woodcut in France, 1875-1895 (Directed by J. Isaacson)
- 1981 Alice R. Merrill (Hyland): Wen Chia (1501-1583), Derivation and Innovation (Directed by R. Edwards)
- 1981 David M. Kowal: The Life and Art of Francisco Ribalta (Directed by R. W. Bissell)
- 1981 Stephanie Spencer: O. G. Rijlander--Art Photographer (Directed by D. C. Huntington)
- 1981 Jeremy Adamson: Frederic Edwin Church's "Niagara": The Sublime as Transcendence (Directed by D. Huntington)
- 1981 Dennis Costanzo: Cityscape and the Transformation of Paris During the Second Empire (Directed by Joel Isaacson)
- 1981 Toh Sugimura: The Chinese Impact on Certain 15th-Century Persian Miniature Paintings from the Albums (Hazine Library Nos. 2153, 2154, 2160) in the Topkapi of Ethnology, Sarayi Museum, Instanbul (Directed by R. Edwards and C. French)
- 1981 Steve J. Goldberg: Court Calligraphy in the Early T'ang Dynasty (Directed by R. Edwards and C. French)
- 1981 Kathe B. Geist: The Cinema of Wim Wenders 1967 to 1977 (Directed by D. Kirkpatrick)
- 1980 Carole Drachler: The Gallery and Art Collection of Henry Clay Lewis (Directed by D. Huntington)
- 1980 Janice Schimmelman: The Spirit of Gothic: The Gothic Revival House in Nineteenth- Century America (Directed by D. Huntington)
- 1980 Ann T. Brown: Non-Narrative Elements in Tuscan Gothic Frescoes (Directed by M. Eisenberg)
- 1980 Chi-sheng Kuo: The Paintings of Hung-Jen (Directed by R. Edwards)
- 1980 Sewall Oertling: Ting Yun-p'eng: A Chinese Artist of the Late Ming Dynasty (Directed by R. Edwards)
- 1980 Jane Block: Les II and Belgiam Avant-gardism, 1868-1894 (Directed by V. Miesel)
- 1980 Sara Schastok: 6th-Century Indian Sculptures from Samalaji: Style & Iconography (Directed by W. Spink)
1940 - 1979
- 1979 Michael Browne: Kawahara Keiga: The Painter of Deshima (Directed by C. French)
- 1979 Louise Yuhas: The Landscape Painting of Lu Chih (1496-1576) An Analysis of the Style of a Sixteenth-Century Soochow Painter (Directed by R. Edwards)
- 1979 Warren Tresidder: The Classicism of the Early Works of Titian: Its Sources and Character (Directed by R. Ward Bissell)
- 1979 I. Job Thomas: Painting in Tamil Nadu A.D. 1350-1650 (Directed by W. Spink)
- 1979 Melinda Takeuchi: Visions of a Wanderer: The True View Paintings of Ike Taiga (1723-1776) (Directed by C. French)
- 1979 Susan Feinberg: Sir John Soane's "Museum": An Analysis of the Architect's House-Museum in Lincoln's Inn Fields, London (Directed by David Huntington)
- 1979 Michael Davis: The Cathedral of Clermont-Ferrand (Directed by C. Olds)
- 1979 Vicky Clark: The Illustrated "Abridged Astrological Treatises of Albumasar" (Directed by C. Olds and C. Bornstein)
- 1979 Ghazi Bisheh: The Mosque of the Prophet at Madinah Throughout the First Century A. H., with Special Emphasis on the Umayyad Mosque (Directed by P. Soucek)
- 1979 Ali El Ballush: A History of Libyan Mosque Architecture During the Ottoman and Libya Karmanli Period (1551-1911) Evolution, Development and Typology (Directed by Pricilla Soucek)
- 1978 Robert Neuman: Robert De Cotte, Architect of the Late Baroque (Directed by N. T. Whitman)
- 1978 William Jensen: The Sculptures of the Tomb of the Haterii (Directed by C. Olds)
- 1978 Mona Kathryn Horste: The Capitals of the Second Workshop from the Romanesque Law School Cloister of La Daurade, Toulouse (Directed by I. H. Forsyth)
- 1978 Mary Faith Mitchell Grizzard: Bernardo Martorell: 15th-Century Catalan Artist (Directed by C. Olds)
- 1978 Dan Ewing: The Paintings & Drawings of Jan de Beer (Directed by C. Olds)
- 1978 Robert Del Bonta: The Hoysala Style: Architectural Development & Artists, 12th & 13th Centuries A.D. (Directed by W. Spink)
- 1978 Wichit Charernbhak: Architectural Criticism as Reflected in Publication on Chicago Commercial Architecture in the 1880s and 1890s (Directed by David Huntington)
- 1978 Penelope Brownell: The Venetian Painter, Francesco Maffei (1620-1660) (Directed by H. E. Wethey)
- 1978 Doris Birmingham: Andre Masson in America: The Artist's Achievement in Exile, 1941-1945 (Directed by V. Miesel)
- 1978 Julie Badiee: An Islamic Cosmography: The Illustrations of the Sarre Qazwini (Directed by P. Soucek)
- 1977 Jean Weir: Timberline Lodge: A WPA Experiment in Architecture and Crafts (Directed by D. Huntington)
- 1977 Charles Walters: Hiram Powers and William Rimmer: A Study in the Concept of Expression (Directed by D. Huntington)
- 1977 Walter Thompson: The Domed Entry Pavilion in French Classical Architecture: Its Origin, Evolution and Interpretation (Directed by N. T. Whitman)
- 1977 Richard Swain: “ Le Jardin de Plaisir” in Tudor and Stuart England (Directed by D. Huntington)
- 1977 Edwin L. Rifkin: Antonioni's Mise-En-Scene: Elements of a Visual Language (Directed by D. Kirkpatrick)
- 1977 Margaret Rajam: The Fresco Cycle by Spinello Arentino in the Sala Di Balia, Siena: Imagery of Pope and Emperor (Directed by M. Eisenberg)
- 1977 Dorothy Habel (Metzger): Piazza S. Ignazio, Rome in the 17th and 18th Centuries (Directed by N. T. Whitman)
- 1977 Forest McGill: The Art and Architecture of the Reign of King Prasatthong of Ayutthaya (1629-1656) (Directed by W. Spink & H. Woodward)
- 1977 Martha Agnew (Fader): Sculpture in the Piazza della Signoria as Emblem of the Florentine Republic (Directed by M. Eisenberg)
- 1977 Roger Berkowitz: Benjamin Smith, Sr., Regency Silversmith (Directed by M. Eisenberg)
- 1977 Susan Barnes: Giacomo Balla: His Life and Work 1871 to 1912 (Directed by V. Miesel)
- 1977 Stephen Addiss: Uragami Gyokudo: The Complete Literati Artist (Directed by Cal French)
- 1976 Gail Weigl: Foundations of a Momoyama Theme: Birds & Flowers of the Four Seasons in a Landscape (Directed by Cal French)
- 1976 Law Watkins: The Brancacci Chapel Frescoes: Meaning and Use (Directed by R. Ward Bissell)
- 1976 Grace Vlam: Western-Style Secular Painting in Momoyama Japan (Directed by C. French)
- 1976 Duncan Kinkead: Juan de Valdes Leal (1622-1690): His Life and Work (Directed by H. E. Wethey)
- 1976 Diane Upright (Headley): Morris Louis: The Mature Paintings 1954-1962 (Directed by Diane Kirkpatrick)
- 1976 Billie Thompson Fischer: The Sculpture of Valerio Cioli 1529-1599 (Directed by Graham Smith)
- 1976 Gerald Carr: The Commissioners' Churches of London, 1818-1837: A Study of Religious Art, Architecture & Patronage in Britain from the Formation of the Commission to the Accession of Victoria (Directed by D. Huntington)
- 1976 Katherine R. Bateman: St. Albans, Its Ivory and Manuscripts Workshops: A Solution to the St. Albans Bury, St. Edmunds Dilemma (Directed by C. Olds)
- 1975 Kathleen Raben Castiello: The Italian Sculptors of the United States Capitol: 1806-1834 (Directed by D. Huntington)
- 1975 Ryan Howard: Pedro Duque de Cornejo, Andalusian Sculpture 1678-1757 (Directed by H. E. Wethey)
- 1975 Sharon Rich Harrison: A Catalogue of the Etchings of Odilon Redon (Directed by J. Isaacson)
- 1975 James Collier: Linear Perspective in Flemish Painting and the Art of Petrus Christus and Dirk Bouts (Directed by C. Olds)
- 1974 Joanne Winjum: The Canterbury Roundels (Directed by C. Olds)
- 1974 John Steyaert: The Sculpture of St. Martin's in Halle and Related Netherlandish Works (Directed by C. Olds)
- 1974 Charles Rosenberg: Art in Ferrara During the Reign of Borso d'Este, 1450-1471 (Directed by E. Verheyen)
- 1974 Milan Mihal: Sakai Hoitsu: A Catalogue Raisonne of Selected Works (Directed by C. French)
- 1974 Deborah C. Brown (Levine): The Victoria and Albert Museum Akbar-Nama: A Study in History, Myth and Image (Directed by W. Spink)
- 1974 Bernard Bonario: Marco Basaiti: A Study of the Venetian Painter and a Catalogue of his Works (Directed by H. E. Wethey)
- 1974 Sister Johanna Becker: The Karatsu Ceramics of Japan: Origins, Fabrications, and Types (Directed by C. French)
- 1974 Richard Axsom: Parade: Cubism as Theatre (Directed by J. Isaacson)
- 1974 Leila Avrin: The Illumination of the Moshe Ben-Asher Codex of 895 C.E. (Directed by C. Olds)
- 1973 Victoria Thorson: The Drawings of Rodin in America (Directed by V. Miesel)
- 1973 Michael Stoughton: The Paintings of Giovanni Battista Caracciolo (Directed by H. E. Wethey)
- 1973 Barbara Carlisle (Rutledge): The Theatrical Art of the Italian Renaissance: Interchangeable Conventions in Painting and Theatre in the Late 15th & Early 16th Centuries (Directed by N. Whitman)
- 1973 Betty Monroe: Okada Beisanjin (1744-1820): Transitional Bunjinga (Directed by R. Edwards)
- 1973 Richard Janke: Janin Lomme and Late Gothic Sculpture in Navarre (Directed by H . E. Wethey)
- 1973 Annemarie Weyl Carr: The Rockefeller-McCormick New Testament (Gregory 2400) (Directed by I. H. Forsyth)
- 1973 Laurel Blank Andrew: 19th Century Mormon Architecture (Directed by D. Huntington)
- 1972 Peter Bermingham: Importation and Influence on the School in America (Directed by D. Huntington)
- 1971 Lois Drewer: The Carved Wooden Beams of the Church of Justinian, Monastery of St. Catherine at Mount Sinai (Directed by I. H. Forsyth)
- 1971 Jeannie Chenault (Porter): Bradley Walker Tomlin Abstract Expressionist (Directed by V. Miesel)
- 1971 Mary Cazort (Taylor): The Drawings and Paintings of Ubaldo Gandolfi (Directed by H. E. Wethey)
- 1971 Donald Kuspit: Durer and the Northern Critics (1502-72) (Directed by C. Olds)
- 1971 Fay Frick: A Typology of Fustat Ceramics (Directed by O. Grabar)
- 1970 John Varriano: The Roman Church Commissions of Martino Longhi the Younger (Directed by N. T. Whitman)
- 1970 Margret Pond Rothman: A Sculpture Record of the Age of the Tetrarchies (Directed by I. H. Forsyth)
- 1970 Robert Mode: Famous Men and Women Illustration in 15th Century Italian Manuscripts (Directed by M. Eisenberg)
- 1970 Edward Keall: Significance of Parthian Nippur (Directed by D. White)
- 1970 Beverly Heisner: Aspects of Ecclesiastical Architecture of Viscardi (Directed by N. T. Whitman)
- 1970 Geraldine Fowle: The Biblical Paintings of Sebastian Bourdon (1611-1671) (Directed by N. T. Whitman)
- 1970 James Caswell: Early Cave Sculptures in Yun-Kang (Directed by O. Grabar)
- 1970 Ulku Bates: The Anatolian Mausoleum of the 12th, 13th and 14th Centuries (Directed by O. Grabar)
- 1970 Janet Anderson: Pedro de Mena: Spanish Sculptor (1628-1688) (Directed by H. E. Wethey)
- 1970 Mohamed Abd El Wahab: Decorated Woodwork from Egyptian-American Collections (Directed by O. Grabar)
- 1969 David Wilkins: Maso di Banco (Directed by Marvin Eisenberg)
- 1969 Diane Kirkpatrick: Edoardo Paolozzi (Directed by V. H. Miesel)
- 1969 Esin Atil: The illustration of the Sur-Nameh of Ahmet, the Third (Directed by O. Grabar)
- 1968 Lisa Beth Golombeck: Timurid Shrine at Gazur Gah: An Iconographical Interpretation of Timurid Architecture 1360-1506 (Directed by O. Grabar)
- 1968 Stanislaw Czuma: The Brahmanical Rashtrakuta Monuments at Ellora (Directed by Walter M. Spink)
- 1967 William Trousdale: Sword-Scabbard Slides (Directed by O. Grabar)
- 1967 Charles Meyer: The Staircase of the Residenz at Wurzburg (Directed by N. T. Whitman)
- 1967 Ellen Johnston Laing: The Theme of the Scholars Meeting in Chinese Painting (Directed by R. Edwards)
- 1966 Theodore Turak: William Le Baron Jenney (Directed by Leonard Eaton)
- 1966 Margaret Damm Rolland: The Mythological Paintings of Van Dyck (Directed by H. E. Wethey)
- 1966 R. Ward Bissell: Orazio Gentileschi (Directed by H. E. Wethey)
- 1965 Gunar Inal: The Fourteenth-Century Miniatures of the Jami Al-Tayarika in Returned to the Topkapi Museum in Instanbul (Directed by O. Grabar & R. Edwards)
- 1964 Suzanne Edwards Lewis: Early Christian Architecture in Milan (Directed by G. H. Forsyth)
- 1963 John Williams: The Bible of Leon of 960 (Directed by J. E. Snyder)
- 1961 Antanas Melnikas: The Early Works of Gentile de Fabriano (Directed by Marvin J. Eisenberg)
- 1961 Rosemary A. Marzolf: The Life and Works of Juan Carreno de Miranda (1614-1685) (Directed by H. E. Wethey)
- 1960 H. Phillip Stern: Ukiyoe Paintings (Directed by J. M. Plumer)
- 1960 Mojmir Frinta: The Master of the Beautiful Madonnas (Late Gothic Sculpture in Bohemia) (Directed by J. E. Snyder)
- 1959 Victor Miesel: The Classical Elements in the Paintings of Rubens (Directed by H. E. Wethey)
- 1959 Bernard Goldman: The Oriental Background of Etruscan Culture (Directed by Clark Hopkins)
- 1958 Glenn N. Patton: Antonio Guerro y Torres and Mexican Architecture of the 18th Century (Directed by H. E. Wethey)
- 1958 James Cahill: Wu Chen, His Life Paintings and Ideas (Directed by Max Loehr)
- 1957 Marilyn Stokstad: The Romanesque Sculpture of the Portico de la Gloria at Santiago de Compostela (Directed by H. E. Wethey)
- 1957 Sister Mary Angelina Filipiak: The Plans of the Convents of the Poor Clares in Central Italy in the 13th & 14th Centuries (Directed by H. E. Wethey)
- 1956 Emma Mellencamp: Renaissance Costume in Italian Painting 1450-1500 (Directed by H. E. Wethey and completed under M. Eisenberg)
- 1953 Robert Enggass: The Religious Paintings of Giovanni Battista Gaulli (Directed by H. E. Wethey)
- 1946 Harry A. Broad: Contemporary American Lithography (Begun under Bruce Donaldson & finished with J. G. Winter)
- 1940 Aloysius G. Weimer: The Munich Period in American Art (Directed by Bruce Donaldson & J. G. Winter)
- 1940 Paul McPharlin: Puppets in American Life (Directed by J. G. Winter)
- 1940 Florence Day: Mesopotamian Pottery: Parthian, Sassanian and Early Islamic (Begun under M. Aga-Oglu & finished with R. Ettinghausen)

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